poetry – Barbara Heagy

Thank you, Samantha

Yesterday I spent several hours trying to work out my printer problems. I finally gave up and called the company HP Smart for technical support. The technician who I was hooked up with was called Samantha. Now, normally these calls can be hours long (which it was) and can be full of frustration and annoyance (which it wasn’t).

Because a variety of attempts to clear up my problem were needed, we both acknowledged that this was going to take a long time and some of the downloading processes were going to be very slow. We both settled in for the long haul.

For the next two or three hours, Samantha and I worked together to try and solve my problems. Meanwhile, we got to know each other as two human people with much in common. Even though we were separated by half a world (she was in India, I was in Canada), she seemed much younger than me (that’s an assumption), and we were two complete strangers, we connected.

She initiated the conversation and we quickly found out that we both had a love of writing, I a published author/a memoirist and she a daily journal writer and poet. We shared our losses in life of those close to us, including our beloved pets. We told stories about our loved ones. We shared our favourite poets and some of their work. We both love Mary Oliver. We laughed and cried and found common ground in our zest for life.

Slowly she helped me work out my printer problem and slowly we go to know each other as new friends. We both acknowledged that wouldn’t it be wonderful if we should meet some day face-to-face. When all was finally cleared and my printer was working again, it was time to say goodbye. “I’m having trouble saying goodbye,” she said. “Me, too,” I said. “Thank you for all you did for me and shared with me. You were wonderful.”

Will I ever talk with Samantha again? That would be unlikely for you know that when you call these companies, you are given a random agent, whoever is free at the time. But I am thankful for the time spent with Samantha. We had a very special connection.

Reach out to others. Despite distance and age and circumstances, we are all human. Thank you, Samantha. I enjoyed getting to know you. You made my day very special. In honour of you let me share your favourite Mary Oliver poem with others as you shared with me.

“When Death Comes.”

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox;

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world.

—Mary Oliver

Flying Lesson #1

Flying Lesson #1 Barbara Heagy

Come fly with me.

Oh, I don’t think so.

I can’t do that.

Yes, you can.

Just step close to the edge

And let go.

No. I’m not made for flying.

I’m heavy, clumsy, aerodynamically unsound.

Birds are made for flying,

Not me.

It’s all in the attitude.

If you feel light and free,

You will be light and free.

Come. Let go.

No. It’s not natural.

I am not a flier.

Supernatural powers would

Have to be involved here.

We are all fliers

If we let ourselves be.

We are all meant to soar

High above the limitations

We set on ourselves.

But I’m scared.

I would be alone.

What if I begin to fall?

Trust me.

You are a flier.

You are meant to fly.

It will be as natural

And effortless and easy

As it is for a bird that steps out on a branch

and casts its body into the breeze.

But you have to believe,

And you have to stretch out your wings.

Gather up your courage

And jump.

You will not be alone.

The wind and the air will be your companions.

Well, if I’m meant to fly

Let me not be

As loose things

Tossed about at the whim of the wind.

Dust and leaves and dandelion seeds

Are not for me.

I want to be as sure as

The goose in its yearly migration

About its destination.

No,

There are no guarantees.

But I can promise you this;

The world of flight

Will be full

Of wonder and surprises.

You will find freedom

And new strength

As you glide

And soar and swoop

Over unknown worlds.

And you will be

More than you ever dreamed you could be.

You sound so sure of yourself.

I am.

You make it sound so easy.

It is.

Now, are you ready?

Let’s F L Y . . . . . .

Writing for Healing – A Response Poem to Rumi

Back in June, I attended a writing workshop with Kat McNichol called “Writing for Healing” in Eden Mills. As one of the quick writing prompts, I wrote a poem Not Me. It was written in response to the poet Rumi’s poem Not Here.

When the poem was introduced to us by Kat, I had such a negative internal response that I decided I should just deal with it in a written response. The result, created in five minutes, showed me the level of anger and weariness I had in dealing with the grief of my deceased husband and love of my life.

Kat asked if she could publish the poem in her online newsletter. Check out the poems (Rumi’s original and mine) and other stories by clicking on the link below.
https://www.dreamerswriting.com/stories-poems/barbara-heagy/

And by the way — if you have a chance to take a workshop with Kat McNichol, do it! She’s a fabulous teacher. There is another ‘Writing for Healing’ workshop coming up in October. Check for details at www.dreamerswriting.com.

A Response Poem to Rumi’s Not Here

Not Me by Barbara Heagy

Oh, Rumi.
I do not want to hear this right now.
Don’t speak to me about bravery and sharp
compassion.
I have had howling hurt
And it sucks.

I have stood strong and full of courage.
“Turn and face the lions,” I said.
But the lions’ roaring pains my eardrums.
Their carnivorous breath makes me faint.
Their overpowering size tires me
As I pace the cage with them.

Copper and gold are not for me.
I have accumulated a treasure house of
such so-called riches.
Give me sun.
Give me breath.
God, give me pastrami.
Anything but more of your precious metals.

I am not half-hearted.
I am empty-hearted
Facing your sizzling ovens that shape the soul.

Empty-hearted, holding back,
I am now just well-enough and getting by.

Your challenge has depleted me,
Frozen my thoughts into debilitating ideas of
“I can do this.
This will be good for me.”

Well F’ you, Rumi.
I walk away from this challenge.
I’ve given at the office, thank you.

I Am From

As an introduction to each other at our recent Rhythmwood Soul Journey, Wendy Roman asked us to write a poem about ourselves from a basic form called “I Am From . . . “. All we had to do was fill in the blanks as we reminisced about our past and contemplated all the people and events that had formed who we are today. Here is my poem. What would your poem be?

I Am From by Barbara Heagy

I am from country farms,
From czardas and paprikash.

I am from grandma’s warm lap
like sheltering laughter.

I am from lilacs, fresh mown hay,
and bubbling creeks.

I am from hippies and hash,
From cool northern lakes and jumping fish.

I am from journals and contemplations,
From words and books and songs.

I am from breath and moving bodies.

I am from spiritual journeys danced in prayers,
laced with pain and grace.

I am from daughters to grandsons.

I am from love –
assured and unconditional.

The Still Point of the Turning World

This week Wendy Roman, of Rhythmwood Dance Studio, asked her Facebook readers what the phrase “Effortless Effort” means to them through dance. Another reader and dancer, Laine Magidsohn, suggested it be called “Dynamic Ease.” I like both phrases. Both phrases speak of finding that balance between active participation and passive release.

I think ‘Effortless Effort’ and ‘Dynamic Ease’, are both phrases of just stepping aside for a moment to connect with life’s energy force. Letting it flow within, embodying it, giving it room to become one with me and then moving forward together. I don’t just step aside and let it take me over. We work together, side-by-side, internally as one. One body, one flow of energy.

When I was getting my MA in Dance at York University, my thesis centered on finding the relationship between creativity and spirituality. I held a day long workshop of movement and dance, journaling and oral sharing. Later in evaluations of the experience, two of the participants spoke of finding ‘stillness’ in the ‘movement’ while they danced. A paradox. After the event, one of the participants gave me a beautiful hand-made calligraphy copy of an excerpt of T. S. Eliot’s “Four Quartets – Burnt Norton.” For her, his poem spoke of finding “The Still Point of the Turning World” and acted as a metaphor for her experience.

From T. S. Eliot’s “Four Quartets – Burnt Norton”:

“At the still point of the turning world. Neither flesh nor fleshless;

Neither from nor towards; at the still point, there the dance is,

But neither arrest nor movement. And do not call it fixity,

Where past and future are gathered. Neither movement from nor towards,

Neither ascent nor decline. Except for the point, the still point,

There would be no dance, and there is only the dance.”

Finding that balance of stillness and movement is a form of active release. It means standing still for a moment, breathing, centering myself, becoming deeply aware of all that is around me so that I can connect with the movement of life and its energy and begin to move as one with it. It’s becoming as T. S. Eliot calls ‘The Still Point’ so that I become the axis around which my world turns. I am integral to its being. I support it, as I become the stillness from which the movement circulates. The world rotates around me, life happens, but I am always centered and strong, actively a part of it, and deeply aware of the bonded process. It’s finding “The Still Point of the Turning World” within myself.