A Picture is Worth 1000 Words

Spanish painter Salvador DALI. “Dali Atomicus.” 1948.

For the last month I have been working on my presentation to my Photo Club titled “Photography and Storytelling.” It’s been fun and enriching to research photos, memes, and photo essays and learn how photographers consider a number of elements to create pictures that tell us a story through methodical and deliberate compositions.

One of the most interesting and imaginative photos that I came across was this one of the artist Salvador Dali taken by photographer Philippe Halsman in 1948 titled Dali Atomicus.

This photo was taken before digital photography and photoshop. The props needed to be suspended with wires, the chair was held in place by an assistant, three cats were thrown into the picture along with a bucket of water and Dali had to jump into the air, all simultaneously at the appropriate time. It took 28 attempts to get this iconic picture that indeed captures the essence of Dali himself.

Indeed, “A picture is worth 1000 words.”

Go With the Flow

I recently read an article by communication scientist Richard Huskey about flow; what is it, what is its benefits, why should we seek to find it in our lives. (Why Does Experiencing ‘Flow’ Feel So Good? A Communication Scientist Explains)

Flow occurs when we feel focused and in control of an activity. We lose our sense of time and surroundings. We have a strong sense of ourselves and the intricacies of the action. The ease and natural energy we dispense brings us joy and a sense of well-being. We feel in control and capable. We’re ‘in the zone’ with an experience that is both skilled and challenging, making us feel completely satisfied with our creative accomplishments. (Mihaly Csikszentmihalyi, Psychologist and Author “Beyond Boredom and Anxiety: Experiencing Flow in Work and Play)

There are many ways we can achieve flow in our lives. It can happen with equestrians, swimmers, artists, dancers, musicians, cooks, chess players, surfers, or mountain climbers. It can even happen with video game players. It doesn’t matter so much what you do as long as it brings you a sense of “self-control, goal pursuit, and well-being.” This experience of flow makes us more resilient and capable in other areas of our lives too. It can keep us from burnout and depression and worry. It can help us cope with difficult times and situations such as the pandemic.

I find flow in my dance, my writing, cooking, yoga, gardening, and walking in nature. These activities bring me a sense of joy and well-being and a sense of accomplishment. I feel relaxed and happy when I do them.

Do you have ‘flow’ in your life? What makes you feel in-the-zone?

A Sit Spot

A Sit Spot — “A sit spot is simply a favourite place in nature (or looking out a window at nature) that is visited regularly to cultivate awareness, expand senses and study patterns of local plants, birds, trees, and animals. The practice supports mindfulness, builds routine and increases focus.” (www.wildsight.ca)

My friend/dancer Colleen Frances, introduced me to this phrase. She took a beautiful picture of me on a beach in Costa Rica before our morning dance class began, when I was just sitting alone, prayerfully, gratefully enjoying the morning sunrise. She told me that if we do this, pick a spot each day, the same spot, perhaps the same time, and then just open our senses to what is happening around us, the birds and the animals begin to expect us and things begin to happen. Things we would never have noticed if we hadn’t sat silently and expectantly are wondrously noticed by us.

We Are Wildness (www.wearewildness.com) says the five qualities of a perfect Sit Spot are “it is close, it has nature, it is solitary, it is safe, your attitude.” Any spot can be a perfect Sit Spot, even if it doesn’t appear that way at first.

Once we’ve chosen our spot, Colleen used the phrase RAW — Relaxed body, Alert mind, Waiting spirit, to describe the mental conditions we use when we sit at our ‘Sit Spot.’

My photographer friends often use this means of getting that perfect and unique photo. Stu McCannell, a skilled wildlife photographer, told us that the birds and insects and other animal life around us have habitual patterns that we can use to get that perfect shot. The Kingfisher returns to the same perch overhanging the river or the dragonfly has a favourite blade of grass or leaf to return to. In my garden, I know when to expect the robin for its nightly bath in my small pool.

My artist friend Suzanne Dyke, loves to sit in ‘plein aire’ and paint what she sees in front of her. Sections of my books have been written after sitting, contemplating nature and my own thoughts.

Choose a Sit Spot. Visit it every day. First, just sit, in quiet and alertness, watching and listening. You may be inspired to paint that picture, write that journal entry, take that photo, or it may just relax you and fill you with wonder at our beautiful natural world we have around us. “Stop and smell the roses” as they say. You’ll be better for it.

(Photo – Colleen Frances)

Eramosa Eden Support

Home

Eramosa Eden is a spiritual retreat centre for renewing body, mind, and spirit and, for the last five years, it has been an important place for me to replenish and inspire me as a writer, author, and photographer. They now need our help.

Over the period of five years, I have attended full-day writer workshops where I was given opportunity to meet with other like-minded people, to build a community of support and encouragement and to write freely in the variety of settings, both indoors and outdoors, in this beautiful and inspiring place. The rustic buildings, the cedar forest, the bubbling river are all conducive to creating an environment of peace and creativity.

For two years, I was happy to be part of the River Writers group that met bi-weekly in the rooms and buildings of Eramosa Eden where my writing skills and creativity were stretched and stimulated. How wonderful to have such a place to bond together with other creative and talented writers and authors.

My photography club, Into Focus Photography Club, which meets monthly at the Evergreen Seniors Community Centre, enjoyed a stimulating and productive day at Eramosa Eden taking photos of the natural beauty that abounds in this special place.

I, for one, would hate to see this veritable treasure of nature, creativity and spirituality, be lost to another cause or development. It has been an important part of my own growth, not only as a writer and artist, but personally, it has been a quiet retreat of beauty and replenishment, a place to renew my body and soul.

One need only to wander the rooms and the forest to see how important Eramosa Eden has been to many others who have dedicated their time, materials, and efforts to creating beauty in this magical place. Many have left behind a piece of themselves through paintings, weavings, and other creations, all as an offering of gratitude for what has been given to them.

The world needs places like Eramosa Eden. They act as sanctuaries of peace and creativity, places where one can get away from the maddening pace of our regular lives and replenish and stimulate our minds and senses in a quiet and beautiful natural setting. Can you help? Write a letter of support “To Whom It May Concern” and address it to Gloria Nye at glorianye@gmail.com

Creativity and Spirituality

Back in 2003, I graduated with my Masters in Dance. My thesis was a study in the relationship between creativity and spirituality. For my closing remarks I included a poem I had written comparing the artist and the spiritual seeker.
 
“To be creative, we must be open, receptive, yielding.
To be spiritual, we must be open, receptive, yielding.
The artist asks and waits expectantly for the answer.
The spiritual seeker asks and waits expectantly for the answer.The artist trusts and steps forward in faith into the unknown.
The spiritual seeker trusts and steps forward in faith into the unknown.

The artist listens, observes, tastes life, then responds in action based on contemplation.
The spiritual seeker listens, observes, tastes life, then responds in action based on contemplation.

When we are creative, we give back the gift we have been given.
When we are spiritual, we give back the gift we have been given.

The artist in in awe of the world. For the artist, the world is truly a wonderful (WONDER FULL) source of learning and inspiration.
The spiritual seeker is in awe of the world. For the spiritual one, the world is truly a wonderful (WONDER FULL) source of learning and inspiration.”

(written as Barbara McQuarrie, Thesis title ” Dancing to the Still Point: The Expression of Creativity and Spirituality Through Movement and Dance in a Christian Retreat Setting”)

I Have No Words – A Journey of the Soul

This past week I went on a retreat called Rhythmwood Soul Journey, led by Wendy Roman of Rhythmwood Dance Studio. For eight weeks before our retreat where we met in person, we had online assignments using poetry, journal writing, conscious dance and shared online conferences to introduce us to each other and prepare us with some basic movement principles and ideas for contemplation and discussion.

In the studio, Wendy used daily readings, journal writing, conscious dance, meditation, nature experiences and art to take us on a further soul journey of the feminine spirit.

On the last day of our wonderful week, I sat quietly and thought about how I would explain the past week to my friends and family. It was such a deep and meaningful experience that I truly had no words. But I put my pen to paper, and let the words just flow. This poem is what came out.

I HAVE NO WORDS

I have no words.

How do you explain this feeling of wholeness, connectedness, fulfilment to another?

How do you explain a journey of the soul where I, you, us, become equally important and valuable to the woven web?

How do you explain a creation of the spirit that fills and overflows through me, to you, to earth, to sky, to water, to fire and beyond?

How do you speak of the gentle care, the kindness, the deep felt gratitude for who I am, and who I become with you, and you, and you?

How do I explain the fire within, the fire without, the consuming fire that refines and invites you to new beginnings?

How do I explain the magic of dancing with another, where the flow between us becomes liquid energy that uplifts, intertwines, and releases the ‘me’ to become the ‘us’?

How do I explain the wonder of waves rushing to shore, the birds rising through song, the sky on fire, our very souls on fire?

How do I explain the specialness, the uniqueness of another? Through vulnerability and laughter and tears, and strength and weakness, through words and song and dance and art, a new creation was born.

How do I explain all this?

There are no words.

Wendy Roman is a gifted teacher and I would recommend taking a workshop or retreat with her in the future. Check out her website at www.rhythmwood.ca

NOLA Jazz Music and Life Lessons

NOLA Jazz Music and Life Lessons – April 28, 2018

This month I visited the renowned city of New Orleans, the birthplace of jazz music. We stayed close to the French Quarter and had many opportunities every day to hear jazz music in a variety of venues – the street, small pubs, the beautiful Orpheum Theatre, aboard the Steamboat Natchez, and the night clubs of Frenchman Street. I’ve been to several jazz events and festivals in my life but, for some reason, the New Orleans musicians made me see my life differently. The way they related to each other as they played, their culture, their spirit, all spoke to me. It seemed there were some unspoken rules while playing that could be good examples for living a balanced, kind, and joyful life for us all.

Thank you, New Orleans musicians. This is what you taught me.

  1. Live in the moment. Catch the groove and ride it.
  2. Be creative. Look for the magic and let it happen.
  3. Be generous. Offer your best. Give it your all.
  4. Take turns. Share the glory. Give everyone a chance to shine.
  5. Be authentic. Be real. Be you, for you are special.

And, above all,

  1. Have fun.

Life is a celebration. Throw yourself into it and share your joy with others.

The Still Point of the Turning World

Barb Heagy Dance in the Park 2015 242-002

This week Wendy Roman, of Rhythmwood Dance Studio, asked her Facebook readers what the phrase “Effortless Effort” means to them through dance. Another reader and dancer, Laine Magidsohn, suggested it be called “Dynamic Ease.” I like both phrases. Both phrases speak of finding that balance between active participation and passive release.

I think ‘Effortless Effort’ and ‘Dynamic Ease’, are both phrases of just stepping aside for a moment to connect with life’s energy force. Letting it flow within, embodying it, giving it room to become one with me and then moving forward together. I don’t just step aside and let it take me over. We work together, side-by-side, internally as one. One body, one flow of energy.

When I was getting my MA in Dance at York University, my thesis centered on finding the relationship between creativity and spirituality. I held a day long workshop of movement and dance, journaling and oral sharing. Later in evaluations of the experience, two of the participants spoke of finding ‘stillness’ in the ‘movement’ while they danced. A paradox. After the event, one of the participants gave me a beautiful hand-made calligraphy copy of an excerpt of T. S. Eliot’s “Four Quartets – Burnt Norton.” For her, his poem spoke of finding “The Still Point of the Turning World” and acted as a metaphor for her experience.

From T. S. Eliot’s “Four Quartets – Burnt Norton”:

            “At the still point of the turning world. Neither flesh nor fleshless;

            Neither from nor towards; at the still point, there the dance is,

            But neither arrest nor movement. And do not call it fixity,

            Where past and future are gathered. Neither movement from nor towards,

            Neither ascent nor decline. Except for the point, the still point,

            There would be no dance, and there is only the dance.”

Finding that balance of stillness and movement is a form of active release. It means standing still for a moment, breathing, centering myself, becoming deeply aware of all that is around me so that I can connect with the movement of life and its energy and begin to move as one with it. It’s becoming as T. S. Eliot calls ‘The Still Point’ so that I become the axis around which my world turns. I am integral to its being. I support it, as I become the stillness from which the movement circulates. The world rotates around me, life happens, but I am always centered and strong, actively a part of it, and deeply aware of the bonded process. It’s finding “The Still Point of the Turning World” within myself.

A Path to Creativity

Creativity

Back in the mid 90’s I was teaching a Gr. 1 class at a small country school. One of my student’s parents offered to write our Christmas play and so began a new friendship based on our mutual enjoyment of writing. Jane introduced me to a book called The Artist’s Way – A Spiritual Path to Higher Creativity by the author Julia Cameron.

It was a book on the link between creativity and spirituality and included a 12 week program of basic principles and activities that rekindled one’s latent creativity and helped one to overcome problems such as self-esteem, self-criticism, jealousy, guilt and other factors such as worry over time, money or support, all blocks to our creative energies. Cameron believed that we all are creative beings, that there is not one non-creative person alive. She also believed that the universe is naturally creative and creative expression is the natural direction of life. This resonated so deeply within me as, decades before, in my university years in the early ‘70’s I had studied fine arts, modern dance and drama and experienced a new-found confidence in my own creativity abilities. I, too, believed vehemently that we all are creative beings.

During the ‘80’s, my child bearing years, my life had become very busy with family obligations and yet, during this time, I did manage to work professionally with a dance company in Toronto and returned to university in 1988 to earn a Bachelor of Education. Working full-time, raising a family and working through a difficult marriage didn’t leave much time for dance activities any longer. In the early 90’s my husband and I separated and a new life began. I was longing for a new outlet for my creative energies.

Cameron’s book provided me with that. For 12 weeks, I worked through her book, chapter by chapter, every day writing what she called “morning papers.” Each day I sat down with three blank sheets of paper and in a stream-of-consciousness format, I filled those pages. She said to fill them up from beginning to end, even if all I could write was “I don’t know what to write. I don’t know what to write.” She said, if you kept writing, pretty soon something of value was going to come out on that page. I wrote a lot of garbage back then but there were also many true gems of wisdom. I found by writing this way, it released my creative energies and I often found my soul revealed on the page, answering problems that I had fretted over for weeks.

She also told you to take an “artist date” once a week. It could be anything: go visit a fabric store, walk along a quiet river, visit a museum or go watch a parade. You were allowed to do anything at all that helped to rejuvenate, replenish or inspire you. It was to be done solo, was to be fun and festive and was to be filled with play. She said that we work so hard at being artists that we need to give back to ourselves and find the play in our creative process once again.

At the end of the 12 weeks of exploration, Cameron challenged you to set a creative focus for yourself that would work in your life. You were to set a basic goal, the steps you would go through to achieve that goal, and the time frame it would take you. You were to find a mentor that would encourage, guide and prod you along and you must meet with your mentor once a week until the goal was achieved. I chose to focus on writing, to have something published, even if it was only in a small way and I met with my friend Jane in her home, once a week. I continued to write morning papers and we had a lot of fun giving each other small prompts for creative, spontaneous writing and sharing these with each other. At the end of my weeks with her I did achieve my goal and an article on creativity was published in a provincial drama educator’s newsletter.

Cameron’s book opened up a new world of writing to me. I had always enjoyed writing but she inspired me to explore my writing further and she gave me a means of goal-setting and finding success with my chosen creative field. I would recommend this book for anyone who feels blocked in their creative field. If you are willing to work through her program from beginning to end, you will achieve success – and have a lot of fun doing it. Get those creative juices brewing. Go play.

The Photograph

I stopped in front of the large photograph on the wall of the art gallery. It was a picture of a make-shift table, more a platform, pushed into the corner of a room. On the table was a simple place-setting: one plate, one fork, one knife, one cup. In the corner of the table was a book, partially read and marked with a bookmark. One chair was pulled up to the table, facing the corner. The wall behind the table was unadorned, devoid of any pictures that would draw the eye. That’s all. There was nothing more in the picture.

My friend said, “Now that’s an odd picture.” And moved on.

I lingered. I thought, This person lives alone. Or at least, the photographer knows what it’s like to live alone. The photo had a stark simplicity to it. Although it was in colour, it left me feeling black and white. It was a picture of life stripped down. But, therein, was its purity. It was a picture of the basic nature of a life when everything else is peeled away and someone is left alone. With no distractions other than that person’s own choosing.  After all, there was a partially read book on the table.

Living alone isn’t necessarily a bad life. It has its benefits. I spread eagle my body across my queen size bed every night, taking all the pillows. I wake up when I want to and retire at night whenever I wish. I have total T.V. remote control power. If I want to cook an extravagant meal with garlic shrimp, roasted eggplant, and Portobello mushrooms, I do. Sometimes I eat Kraft dinner. I have the freedom to jump on a plane or hop in the car and head out to see the world whenever I wish to. Life centers round my own needs and interests and desires. The rhythm of life is my own to create and I beat my own drum, loudly and joyfully. Living alone, one needs not be lonely. Family and friends are only a mouse click or text or telephone call away. Or not.

So, Mr. Photographer (or is it Miss or Mrs. or Ms.), I see your photograph of a life lived alone. But I think my own photo would look a little different. There would be a table with at least four chairs in a corner of a room. I would have one place setting facing out, but there would be a stack of plates and placemats and silverware on the opposite corner, ready for meal-time sharing when the opportunity arose. I would have a vase of bright red tulips in the middle of the table and a crystal glass ready to be topped with sparkling wine. The wall behind me would be filled with framed pictures: my daughters, my grandson, laughing faces in tropical settings, kangaroos and cockatoos, snow-covered mountains, and sunsets over the ocean. The sun would be streaming in from an unseen window flooding my little dining corner with golden rays. There wouldn’t be a book on the table. Good food and private musings would be enough for mealtime contemplation. It would be a photograph full of colour and light, potential, and gratitude. It would be a picture of life lived alone, but never lonely.